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Final frontier

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In Star Trek V: Registrieren Sie sich für weitere Beispiele sehen Registrieren Einloggen. In anderen Projekten Commons. Space - the final frontier. Reverso beitreten Registrieren Einloggen Mit Facebook einloggen. Das Unbekannte hat ein paar Grenzen, die man nicht übertreten sollte. Dort nahm Bruce Dickinson auch die letzten Gesangspassagen auf, weil er die Texte auf den Bahamas zum Teil noch nicht fertig geschrieben hatte. Suche final frontier in: Um dies jedoch einsetzen zu können, muss die Modifikation in der Deflektor - Steuerung, die sich auf Deck 15 befindet, manuell durchgeführt werden.

Our gods reflect back at us our arrogance and lust for power. This movie gave me a new respect for a series that I had thought of previously as being merely a lot of entertaining fluff.

Thanks go to paramount for giving it the green light. Sad to say that, only a decade later, nothing like this could make it past the Hollywood studio PC censors.

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Keep track of everything you watch; tell your friends. Full Cast and Crew. Captain Kirk and his crew must deal with Mr. Related News Razzie Awards: Share this Rating Title: The Final Frontier 5.

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The Undiscovered Country The Voyage Home The Search for Spock The Motion Picture The Wrath of Khan Kirk , recently demoted back to Captain after the events of the previous two films, is camping with Spock and Dr.

Sybok reveals the hostage situation was a ruse to lure a starship to Nimbus III. Sybok wants to use a ship to reach the mythical planet Sha Ka Ree , the place where creation began; the planet lies behind a seemingly impenetrable barrier near the center of the galaxy.

Sybok uses his unique ability to reveal and heal the innermost pain of a person through the mind meld to subvert the wills of the hostages and crew members.

Sybok reluctantly declares a truce with Kirk, realizing he needs his leadership experience to navigate Enterprise to Sha Ka Ree. An entity appears, and when told of how Sybok breached the barrier, demands that the starship be brought closer to the planet.

When a skeptical Kirk inquires, "What does God need with a starship? The others doubt a god who would inflict harm on people for pleasure.

Realizing his foolishness, Sybok sacrifices himself in an effort to combat the creature and allow the others to escape. Intent on stopping the being, Kirk orders Enterprise to fire a photon torpedo at their location, to little effect.

Takei said that despite studio pressure to complete the film on time, Shatner maintained a creative and enthusiastic atmosphere on set.

Casting director Bill Shepard was in charge of filling additional roles. He combed through initial auditions with promising actors, then presented his choices to Shatner.

Both men called the actors back as many as two or three times before each role was cast. Bryant was playing ping pong at a beach party when a casting director offered him the role.

Bryant performed his audition twice, as Shatner requested that he repeat his performance speaking in Klingon. Murdock was recast as the "God" entity.

Shatner had previously directed plays and television episodes; [3] when he signed on for The Voyage Home following a pay dispute, Shatner was promised he could direct the next film.

His inspiration was televangelists ; "They [the televangelists] were repulsive, strangely horrifying, and yet I became absolutely fascinated," he recalled.

The televangelists formed the basis for the character Zar, later Sybok. Kirk eludes capture but goes back to save his friends from being carried away to Hell.

Producer Harve Bennett was exhausted by his work on the previous three Star Trek films and wanted to move on, feeling that he was not part of the Star Trek "family" and that he had been mistreated by Nimoy.

After several hours of discussion Bennett agreed to return. Bennett also told Shatner that the film had the feeling of a tone poem rather than an adventure story.

Shatner and Bennett began reworking the story. Shatner said that Bennett also suggested turning the God entity into an "evil alien pretending to be God for his own gain".

The Wrath of Khan writer and director Nicholas Meyer to pen the script, but he was unavailable. Not everyone was happy with the story.

Roddenberry had wanted to approach that film with similar ideas that investigated the nature of God but was rejected by Paramount.

Loughery stopped work on the script when the Writers Guild of America went on strike , and the production was further delayed when Nimoy began working on another project.

Though Shatner convinced Bennett and Loughery to revise much of the script, Sha Ka Ree remained; it was changed to a place of ultimate knowledge of which Sybok had received visions.

While Roddenberry, Kelley and Nimoy gave their approval to the revised script, Paramount was concerned that the film would go over-budget as written and ordered cuts.

Shatner wanted six of the creatures, but was forced to accept just one. Shatner sought a grittier and more realistic feel to the Star Trek universe, and so the two worked together to visualize the film from start to finish.

Shatner praised his costume designs as being futuristic but plausible and in keeping with the continuity established in previous Star Trek films.

Rodis and Shatner also drew up sketches of what the various aliens seen in the film would look like. Shatner picked Kenny Myers as the special-effects makeup artist.

Shatner hired Herman Zimmerman as production designer. At one point, he was building five sets at once. Tim Downs scouted possible areas for location filming.

He looked for a location that could stand in for three different venues without the production having to move or change hotels: Downs also shot photos with filters and tried to accomplish dust effects with his car to replicate ideas for how some sequences would be shot.

Principal photography began in October , in and around Los Angeles, California. The overhead shot gave the impression Kirk was climbing at a great height, while unnatural background features such as swimming pools were camouflaged.

Bluescreen footage of Shatner falling was shot later at Paramount and composited, while stuntman Ken Bates set a record for the highest American descender fall by plummeting off El Capitan —with a wire support rig—for long shots.

The scenes had to be reshot later. After the Yosemite shots, location shooting moved to desert locales. The town was created as a haphazard collection of spaceship parts and futuristic scrap.

Shatner called the resulting half-jogging pace of the dehydrated extras "the Sybok shuffle". The production spent three more weeks filming the rest of the desert scenes, finishing the last night scene shortly before sunrise and the trip back to Los Angeles.

At Paramount, the crew filmed all the scenes that would take place on soundstages, including the Enterprise and Bird-of-Prey sets, the Paradise City interiors, and the campfire location.

Production was smoother on set, and the crew shot scenes ahead of schedule. The crew fabricated a stand-in set for the God planet location, where additional scenes were filmed to combine with the location footage.

Shatner scheduled the campfire scenes to be the last ones shot, after which the cast and crew had a small celebration before a traditional wrap party later.

Shatner recalled that the film received praise and left the screening "reveling" in its reception; it turned out to be a "momentary victory" once he saw the special effects.

With a stretched budget and short timeframe, Winter had to look elsewhere. Associates and Ferren had three months to complete the effects work—around half the usual industry timeframe.

Shatner insisted on viewing lots of test footage before he proceeded with each shot, requesting time-consuming changes if he did not like an effect.

The studio called a meeting with executives and began cutting out effects shots. To reduce the optical effects workload, Ferren rejected bluescreen compositing, opting instead for rear projection.

The rock monster climax of the film was ultimately dropped due to difficulties during filming. On the last day of location shooting, the Rockman began suffering mechanical problems; the suit stopped breathing fire, and the desert wind dissipated the smoke.

The result, Shatner wrote, was that "our guy in the silly rubber suit ultimately just looked like The Voyage Home stond Paramount erop dat ook het verhaal van deze film een lichtere ondertoon zou krijgen.

Een ander punt van kritiek waren de special effects. In de vorige Star Trek films werden de meeste effecten gedaan door Industrial Light and Magic , maar zij waren tijdens de productie van Star Trek V bezig met de tweede en derde Back to the Future films.

In het tijdschrift Starburst werd zelfs vermeld dat de effecten die nodig zouden zijn zo duur waren, dat ILM "zichzelf uit de markt prijsde.

Dit werd geschrapt omdat het kostuum volgens Shatner niet realistisch genoeg was. The Final Frontier bracht in de V. De film leverde maar ongeveer de helft op van wat The Voyage Home had opgebracht.

Star Trek bedenker Gene Roddenberry grapte over de elementen in de film dat ze "apocryphal at best" waren. Hij vond ook het idee dat Spock een half-broer had maar niets.

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The Final Frontier Studioalbum von Veröffent- lichung en Chartplatzierungen Erklärung der Daten. Nach rund zwei Wochen waren die Basisspuren aller Instrumente und des Gesangs aufgenommen. Ansichten Lesen Bearbeiten Quelltext bearbeiten Versionsgeschichte. Crack ist die letzte Grenze. But if we're going to explore the final frontier on this planet, we need to live there. Durch die Nutzung dieser Sportwetten gewinne erklären Sie sich mit den Nutzungsbedingungen und der Datenschutzrichtlinie einverstanden.

Final Frontier Video

Star Trek V: The Final Frontier [Complete Motion Picture Soundtrack]

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